๎๏ธ
DOUBLES
nothing _____ can stay
Carrier Pigeon
Moving towards Home:
Art for Palestine in New York City 1989 & 2024
The Seeker & The Imposter
OUR HOUSE
YOU DONโT
MATTER GIVEUP
WHAT A FOOL BELIEVES
FLOATERS
Sweet Salvation
siding with things
Medium Rare
MOULT
Several Species of Small Furry Animals Gathered Together in a Cave and Grooving With a Pict
WHO IS PLUTO
Fractal Noise
Flame Casts No Shadow
TOO MUCH LOVE WILL KILL YOU
The Last City Museum in NY
Vol 2. A1 Landscape
Vol 1. 8F Figure
nothing _____ can stay
Carrier Pigeon
Moving towards Home:
Art for Palestine in New York City 1989 & 2024
The Seeker & The Imposter
OUR HOUSE
YOU DONโT
MATTER GIVEUP
WHAT A FOOL BELIEVES
FLOATERS
Sweet Salvation
siding with things
Medium Rare
MOULT
Several Species of Small Furry Animals Gathered Together in a Cave and Grooving With a Pict
WHO IS PLUTO
Fractal Noise
Flame Casts No Shadow
TOO MUCH LOVE WILL KILL YOU
The Last City Museum in NY
Vol 2. A1 Landscape
Vol 1. 8F Figure
Sweet Salvation
curated by Yoojin Jang and Junyoung Lee
08.03.2023 โ 08.25.2023
Dew Kim
Yaloo
๐๐ฒ๐ ๐๐ถ๐บ (b.1985, Seoul, South Korea) received his MA in Sculpture from Royal College of Art, London, UK and BFA in Metalsmithing and Jewelry from Konkuk University, South Korea. Kimโs artistic practice is built on exploring various intersections of art, religion, and identity that lie in the critical point of change and collision. He mainly works with video art and installations that explore issues of sexuality, queerness, feminism, sadomasochism, pop culture, religion, mysticism, and the body as forms of knowledge and research.
๐ฌ๐ฎ๐น๐ผ๐ผ earned BFA and MFA in video art from the School of the Art Institute of Chicago. Since the recent pandemic, Yaloo spent a significant amount of time in Seoul. This experience helped her initializing Underwater Trilogy - Homo Paulinella the Lab, Pickled City, and Birthday Garden. All three chapters of the trilogy project capture a unique sense of contemporariness proper to East Asian metropolis, where centuries of time and the dramatic pulses of our planet in the Anthropocene can be accessed in a small alley.
Through her work, she attempts to take a post-colonial, post-Western-centric, and post-human-centric approach to new media art by imparting on DIY production pipeline for immersive storytelling and interdisciplinary collaboration. There are rich creative potentials to be appreciated in DIY computer graphics productions and immersive storytelling, especially when independent artists coming from different cultural, political, social backgrounds take control of their creative agency. In the mainstream commercial production of digital media, individual artists perform tasks in a hyper-modernized fordist process - in which a thousand people divide their roles into small pieces. As many independent media artists, Yaloo attempts to explore radically different visual possibilities through experimental problem- solving and to build her own production pipeline. Ultimately, Yaloo hopes to contribute to the diversity of the media languages of our everyday life.
All photos courtesy of Subtitled NYC, New York